Concrete by day, soot by night
The name is always soot or concrete. The teeth carry the red: bright red lead on dark grounds, deep red lead on light ones, so the mark never drops under 3:1.
The I in the name is cut like one more tooth, at the same angle as the mark, so name and mark read as one roofline.
- Clear space
- The width of the I, on all four sides
- Smallest lockup
- 120 px wide on screen, 30 mm in print
- Below that
- The mark alone
- Never
- Gradients, outlines, a retyped name, red on red
Three teeth, any size
Solid triangles with wide gaps, so the mark holds at 16 px in a browser tab and at arm's length on a wrist. Each day lights its own tooth.
Soot, concrete, red lead
Taken from the building: the blackened floor, the bare walls, and the red lead primer on every steel beam. The widths below are how much of a layout each one should own.
Soot
The ground for everything after dark.
- #120E0B
- oklch(16.5% 0.009 60)
Concrete
Paper, posters, the daylight versions.
- #D4CEC7
- oklch(85% 0.009 60)
Red lead
Teeth, wristbands, the one action.
- #E5481E
- oklch(62% 0.2 35)
Deep red lead
Red on light grounds.
- #B12B00
- oklch(50% 0.176 35)
Concrete on soot, 12.3:1All text on dark grounds.
Soot on red lead, 4.8:1The only way to set anything on red.
Red lead on concrete, 2.6:1Fails. Use deep red lead there (4.2:1, logo and large type only).
One family, pushed to its edges
Archivo Black for the name, and Archivo's variable width axis for everything else: wide and black for shouting, narrow for the timetable, regular for reading.
The I is redrawn as a tooth. Use the supplied artwork; typing RUIDO in Archivo Black loses the cut.
Bring earplugs. The concrete hits back.
Main hall
Boiler room
Loading dock
Stage names are placeholders until the floor plan is set.
Doors, set times, water points and the last metro home. Reading text stays plain and regular so the loud parts stay loud.
ABCDEFGHIJKLM NOPQRSTUVWXYZ 0123456789